Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden. Related Paintings of Anders Zorn :. | mrs j donald cameron | Unknow work 2 | tappningssalen | Madonna | midsommarnattsdans |
Related Artists:Paxton, William McGregor
American Painter, 1869-1941
was an American Impressionist painter. Born in Baltimore, the Paxton family came to Newton Corner in the mid-1870s, where William's father James established himself as a caterer. At 18, William won a scholarship to attend the Cowles Art School, where he began his art studies with Dennis Miller Bunker. Later he studied with Jean-L??on G??rôme in Paris and, on his return to Boston, with Joseph DeCamp at Cowles. There he met his future wife Elizabeth Okie, who also was studying with DeCamp. After their marriage, William and Elizabeth lived with his parents at 43 Elmwood Street, and later bought a house at 19 Montvale Road in Newton Centre. Paxton, who is best known as a portrait painter, taught at the Museum School from 1906 to 1913. Along with other well known artists of the era, including Edmund Charles Tarbell and Frank Benson, he is identified with the Boston School. Like many of his Boston colleagues, Paxton found inspiration in the work of the seventeenth-century Dutch painter Johannes Vermeer. Paxton was fascinated not only with Vermeer's imagery, but also with the system of optics he employed. He studied Vermeer's works closely, and discovered that only one area in his compositions was entirely in focus, while the rest were somewhat blurred. Paxton ascribed this peculiarity to "binocular vision," crediting Vermeer with recording the slightly different point of view of each individual eye that combine in human sight. He began to employ this system in his own work, including The New Necklace, where only the gold beads are sharply defined while the rest of the objects in the composition have softer, blurrier edges. William Dobson
William Dobson Locations
William Dobson (March 4, 1610 ?C October 28, 1646) was a portraitist and one of the first notable English painters, praised by his contemporary John Aubrey as the most excellent painter that England has yet bred.
Dobson was born in London the son of a decorative artist, and was apprenticed to William Peake and probably later joined the studio of Francis Cleyn. He is believed to have had access to the Royal Collection and to have copied works by Titian and Anthony Van Dyck, King Charles I chief painter. The colour and texture of Dobson work was influenced by Venetian art, but Van Dyck style has little apparent influence on Dobson. Van Dyck himself discovered Dobson when he noticed one of the young artists pictures in a London shop window. He introduced Dobson to the King, who had Dobson paint himself, his sons and members of the court.
When Van Dyck died in 1641, Dobson probably succeeded him as sergeant-painter to the King, though proof is lacking. During the English Civil War Dobson was based at the Royalist centre of Oxford and painted many leading Cavaliers. His portrait of the future Charles II as Prince of Wales at the age of around twelve is a notable baroque composition, and perhaps his finest work. He also painted the Duke of York, Prince Rupert of the Rhine and Prince Maurice.
Charles II when Prince of Wales, circa 1642 or 1643.Around sixty of Dobson works survive, mostly half-length portraits most of them dated from 1642 or later. The thick impasto of his early work gave way to a mere skim of paint, perhaps reflecting a wartime scarcity of materials. After Oxford fell to the Parliamentarians, in June 1646, Dobson returned to London. Now without patronage, he was briefly imprisoned for debt and died in poverty at the age of thirty-six.
Dobson is regarded as a talented painter with a fine sense for colour and good powers of observation. However, an entirely English training such as Dobson could not be first rate in the early 17th century and he had technical weaknesses. There are examples of Dobson work at Tate Britain and the National Portrait Gallery in London and at several English country houses. The most comprehensive study of Dobson and his work is William Dobson, 1611?C1646 an exhibition catalogue written by M. Rogers for a 1983 exhibition at the National Portrait Gallery.Thomas Hickey
was an Irish painter.
Born in Dublin, Hickey was the son of Noah, a confectioner in Capel Street, and Anne Hickey. A younger brother was John Hickey, the sculptor. He was trained at the Royal Dublin Society schools under Robert West.
Hickey painted primarily portraits and genre scenes. He traveled widely, working in India, Portugal, Italy and England, residing in Bath between 1776 and 1780. On his voyage to India, the vessel in which he was travelling was captured by French and Spanish fleets which led him to Lisbon, where, after receiving a number of commissions, he remained for several years. He eventually reached Bengal and stayed there until 1791 when he returned to England. He then traveled as far as Peking, China with George Macartney, 1st Earl Macartney as the expedition's official portrait painter.
He returned to Ireland shortly after the death of his brother John in January 1796. In 1797, he was commissioned by Dr. Robert Emmet, State Physician for Ireland, to paint a portrait of the doctor's son, Robert, and daughter, Mary. By 1798 he had returned to India where he landed just in time for the start of the Fourth Mysore War, which kept him engaged in painting. He resided in Madras until his death in 1824.
In addition to his artistic talents, he is reputed to have been a sparkling conversationalist who rarely failed to charm his sitters. The Courtauld Institute of Art (London), the Honolulu Academy of Arts, the National Gallery of Ireland, the Tate and the Victoria Art Gallery (Bath, England) are among the public collections having paintings by Thomas Hickey.