Anders Zorn
A Sweden Museum


Anders Zorn's Oil Paintings
Anders Zorn Museum
February 18, 1860 – August 22, 1920.
Anders Zorn

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Anders Zorn
ateljen vid brook street
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Anders Zorn ateljen vid brook street


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Anders Zorn

Swedish 1860-1920 Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden.  Related Paintings of Anders Zorn :. | Oscar II | portratt av ung kvinna eller dam i blatt | In the Hammock | The Letter | Unknow work 120 |
Related Artists:
Antonio Mancini
(14 November 1852 - 28 December 1930) was an Italian painter. Mancini was born in Rome and showed precocious ability as an artist. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi (1818-1899), a landscape painter. Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon. Mancini worked at the forefront of Verismo movement, an indigenous Italian response to 19th-century Realist aesthetics. His usual subjects included children of the poor, juvenile circus performers, and musicians he observed in the streets of Naples. His portrait of a young acrobat in "Saltimbanco" (1877-78) exquisitely captures the fragility of the boy whose impoverished childhood is spent entertaining pedestrian crowds. While in Paris in the 1870s, Mancini met Impressionists Edgar Degas and Édouard Manet. He became friends with John Singer Sargent, who famously pronounced him to be the greatest living painter. His mature works show a brightened palette with a striking impasto technique on canvas and a bold command of pastels on paper. In 1881, Mancini suffered a disabling mental illness. He settled in Rome in 1883 for twenty years, then moved to Frascati where he lived until 1918. During this period of Mancini's life, he was often destitute and relied on the help of friends and art buyers to survive. After the First World War, his living situation stabilized and he achieved a new level of serenity in his work. Mancini died in Rome in 1930 and buried in the Basilica Santi Bonifacio e Alessio on the Aventine Hill. His painting,The Poor Schoolboy, exhibited in the Salon of 1876, is in the Musee d'Orsay in Paris. Its realist subject matter and dark palette are typical of his early work. Paintings by Mancini also may be seen in major Italian museum collections, including Galleria Nazionale d'Arte Moderna e Contemporanea in Rome, and Museo Civico-Galleria d'Arte Moderna in Turin. The Philadelphia Art Museum holds fifteen oil paintings and three pastels by Mancini that were a gift of New York art dealer Vance N. Jordan.
Henri Millot
(1699 -1756 ) - Painter
Antoine de Favray
French, 1706-died circa 1791,French painter. He is not documented until 1738, when he was mentioned as a private pupil of Jean-Fran?ois de Troy (ii), who was then director of the Acad?mie de France in Rome; in 1739 he became an official student at the Acad?mie. Among his student works is a copy (untraced) of Raphael's Fire in the Borgo (Rome, Vatican, Stanza dell'Incendio), which was mentioned by Charles de Brosses and exhibited in Paris in 1741. In 1744, for reasons that are not clear, he left Rome for Malta, remaining there for much of the rest of his career and devoting himself primarily to portraiture and genre painting. His ambition as a history painter, however, was fulfilled to a certain extent as a result of the patronage of two Grand Masters of the Order of the Knights of Malta, Manoel Pinto da Fonseca and Emmanuel de Rohan. His first dated picture executed in Malta is a Portrait of a Maltese Lady (1745; Paris, Louvre).






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