Swedish painter, etcher and sculptor. He was brought up by his grandparents at Mora. As he displayed a precocious talent for drawing he was admitted to the preparatory class of the Kungliga Akademi for de Fria Konsterna, Stockholm, at the age of 15. Dissatisfied with the outdated teaching and discipline of the Academy and encouraged by his early success as a painter of watercolour portraits and genre scenes (e.g. Old Woman from Mora, 1879; Mora, Zornmus.) Zorn left the Academy in 1881 to try to establish an international career. He later resided mainly in London but also travelled extensively in Italy, France, Spain, Algeria and the Balkans and visited Constantinople. However, he continued to spend most of his summers in Sweden. Related Paintings of Anders Zorn :. | Self-Portrait with Model | portratt av ung kvinna eller dam i blatt | Unknow work 110 | emma i barbizonskogen | Hins Anders |
Related Artists:Francois Boucher
French Rococo Era Painter, 1703-1770
Francois Boucher seems to have been perfectly attuned to his times, a period which had cast off the pomp and circumstance characteristic of the preceding age of Louis XIV and had replaced formality and ritual by intimacy and artificial manners. Boucher was very much bound to the whims of this frivolous society, and he painted primarily what his patrons wanted to see. It appears that their sight was best satisfied by amorous subjects, both mythological and contemporary. The painter was only too happy to supply them, creating the boudoir art for which he is so famous.
Boucher was born in Paris on Sept. 29, 1703, the son of Nicolas Boucher, a decorator who specialized in embroidery design. Recognizing his sons artistic potential, the father placed young Boucher in the studio of François Lemoyne, a decorator-painter who worked in the manner of Giovanni Battista Tiepolo. Though Boucher remained in Lemoynes studio only a short time, he probably derived his love of delicately voluptuous forms and his brilliant color palette from the older masters penchant for mimicking the Venetian decorative painters.Pietro Faccini
(1562 - 1602 or 1614), was an Italian painter, active near his birthplace of Bologna in styles bridging Mannerism and the nascent Baroque.
According to Malvasia, the main biographer of the early Bolognese Baroque, he apprenticed in his twenties with the with Ludovico and Annibale Carracci. His style departs from the linear "Roman" quality assumed by his mentor, and has a more sparkling quality, influenced by Tintoretto, Correggio, and Bassano. His documented painterly output consists of about a dozen works. In 1590, he painted the Martyrdom of Saint Lawrence, now found in the church of San Giovanni in Monte (Bologna). He completed altarpieces for San Domenico and Santa Maria dei Servi in 1593-1594 and a Presepio in the Pinacoteca of Bologna.Solon H. Borglum
American Sculptor, 1868-1922,was an American sculptor. Born in Ogden, Utah, he was the younger brother of Gutzon Borglum and uncle of Lincoln Borglum of Mount Rushmore fame. The son of Danish immigrants who settled on the great plains, Solon Borglum spent his early years as a rancher in western Nebraska. Though he later lived in Paris and New York and achieved a reputation as one of America's best sculptors, it was his depiction of frontier life, and especially his experience with cowboys and native American peoples, on which his reputation was founded. Borglum studied under Louis Rebisso in Cleveland and in Paris. He specialized in depicting people and scenes of the American West. He moved to the Silvermine neighborhood of New Canaan, Connecticut, where he helped found the "Knockers Club" of artists. His brother, Gutzon, lived in nearby Stamford,