Anders Zorn
A Sweden Museum


Anders Zorn's Oil Paintings
Anders Zorn Museum
February 18, 1860 – August 22, 1920.
Anders Zorn

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110,680 paintings total

  

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Here are all the paintings of Velasquez 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
59558 Abbot and hermit Paulo Velasquez Abbot and hermit Paulo mk267 1633 years linen canvas 261 x 192.5 cm Prado Museum in Madrid
59565 Aesop Velasquez Aesop mk267 in linen canvas 179.5 x 94 cm Prado Museum in Madrid
59567 Archbishop of Cape Verde Velasquez Archbishop of Cape Verde mk267 1640-1645 years linen canvas 63.5 x 59.6 cm National Museum of London
59501 Assumption Velasquez Assumption mk267 1618 years linen canvas 135 x 101.6 cm London, National Gallery collection
59560 Awes Telia Velasquez Awes Telia mk267 1634 years linen canvas 210 x 124 cm Prado Museum in Madrid
59571 Bishop Maximilian Velasquez Bishop Maximilian mk267 1650 years linen canvas 76 x 58.5 cm National Museum of London
59544 Carlos Prince Buster Velasquez Carlos Prince Buster mk267 mk267 1631-1632 years linen canvas 128 x 101.9 cm Art Museum of Boston
59559 Carlos Prince Buster Velasquez Carlos Prince Buster mk267 1634-1635 years linen canvas 208 x 173 cm Prado Museum in Madrid
59552 Christ on the Cross Velasquez Christ on the Cross mk267 1631 years linen canvas 248 x 169 cm Prado Museum Madrid
59528 Dionysus Velasquez Dionysus mk267 1629 years linen canvas 1655 x 227.5 cm Prado Museum in Madrid
59566 Dwarf Juarez Velasquez Dwarf Juarez mk267 1636 -1644 in linen canvas 107 x 83.5 cm Madrid Prado Museum
59575 Female Textile Velasquez Female Textile mk267 linen canvas 220 x 289 cm Prado Museum in Madrid
59562 Hunting De accepts Crown Prince Cady Velasquez Hunting De accepts Crown Prince Cady mk267 1635-1636 cm linen canvas 191 x 107cm Prado Museum in Madrid
59561 In Austria Duke Varser Velasquez In Austria Duke Varser mk267 1634 years linen canvas 314 x 240 cm Prado Museum in Madrid
59534 Jacob give Joseph a coat of blood Velasquez Jacob give Joseph a coat of blood mk267 1630 years linen canvas 213.5 x 284 cm collection of the Spanish monastery
59502 Jesus and Maria Mada at home Velasquez Jesus and Maria Mada at home mk267 1619-1620 years linen canvas 60 x 103.5 cm London, National Gallery collection
59570 Juan Sebastian Velasquez Juan Sebastian mk267 1644 years linen canvas 106.5 x 82.5 cm Madrid Prado Museum
59564 Money Booth Velasquez Money Booth mk2671939 in linen canvas 178.5 x 93.5 cm Madrid Prado Museum
59500 Omelette woman Velasquez Omelette woman mk267 linen canvas 99 x 128 cm National Museum of London
59568 Our Lady of Dai Guanzhong map Velasquez Our Lady of Dai Guanzhong map mk267 1641-1642 years linen canvas 176 x 124 cm Prado Museum in Madrid
59576 Palace lady Velasquez Palace lady mk267 linen canvas 105 x 88 cm Prado Museum in Madrid
59578 Perrone Prince Velasquez Perrone Prince mk267 1659 years linen canvas 128.5 x 99.5 cm
59527 Philip IV Velasquez Philip IV mk267 1623 linen canvas 198 x 101.5 cm Prado Museum Madrid
59556 Philip IV Velasquez Philip IV mk267 linen canvas 195 x 110 cm London, National Gallery collection
59572 Pope Innocent X Velasquez Pope Innocent X mk267 1650 years linen canvas 82 x 71.5 cm Wellington Museum London
59577 Princess Margaret Velasquez Princess Margaret mk267 1659 years linen canvas 129 x107 cm
59573 Princess Marian Velasquez Princess Marian mk267 1652 years linen canvas 234 x 132 cm Prado Museum in Madrid
59574 Princess Marian Velasquez Princess Marian mk267 1653 years linen canvas 127 x 98.5 cm Dallas Museum
50521 Smelt Factory Velasquez Smelt Factory mk212 1630 Oil on canvas 222.9x289.9cm
59504 St. John in Bai Temu Si Velasquez St. John in Bai Temu Si mk267 1619 years linen canvas 135.5 x 102.2 cm London, National Gallery collection
59498 St. Thomas Velasquez St. Thomas mk267 Years 1618-1620 linen canvas 105 x 85 cm Orleans Museum of Art Collection
59555 St. Thomas s confusing Velasquez St. Thomas s confusing mk267 1631 years linen canvas 244 x 203 cm London, National Gallery collection
59523 The Louise  Asia gram raises Velasquez The Louise Asia gram raises mk267 linen canvas 50.3 x 40.5 cm collection of the Boston Museum of Art
59516 The spirit of Christ and supervision Velasquez The spirit of Christ and supervision mk267 1628 years linen canvas 165 x 206 cm National Museum of London
50874 The Warter-seller of Seville Velasquez The Warter-seller of Seville mk216 Oil on canvas
52738 The Water-seller of Seville Velasquez The Water-seller of Seville mk223 Oil on canvas
59499 Those who sell water Velasquez Those who sell water mk267 Years 1618-1622 linen canvas 107.7 x 81.3 cm Wellington Museum London
59514 Three Oriental doctor's blessing Velasquez Three Oriental doctor's blessing mk267 1619 years linen canvas 203 x 125 cm Prado Museum in Madrid
59537 Vulcan s smelter Velasquez Vulcan s smelter mk267 1630 years linen canvas 223 x 290 cm Prado Museum in Madrid
59569 Yage Arab League are many Velasquez Yage Arab League are many mk267 1644 years linen canvas 106 x 82.5 cm Madrid Prado Museum

Velasquez
1599-1660,Spanish painter. He was apprenticed to Francisco Herrera the Elder before being trained by Francisco Pacheco. His early works were mostly religious or genre scenes. After arriving in Madrid in 1623, he painted a portrait of Philip IV that won him immediate success and an appointment as court painter. His position gave him access to the royal collections, including works by Titian, who exerted the greatest influence on his style. In his portraits from this period, only the faces and hands of the figures are accentuated, and the dark figures stand out against a light background. A visit to Italy (1629 ?C 31) further developed his style, and on his return to Madrid he entered his most productive period. Velazquez created a new type of informal royal portrait for Philip hunting lodge, and his portraits of court dwarfs display the same discerning eye as those of his royal subjects. On a second visit to Rome (1649 ?C 51) he painted a portrait of Pope Innocent X. The powerful head, brilliant combinations of crimson of the curtain, chair, and cope are painted with fluent technique and almost imperceptible brushstrokes that go far beyond the late manner of Titian and announce the last stage in Velazquez development. This portrait was copied innumerable times and won him immediate and lasting renown in Italy. In his last years he created his masterpiece, Las Meninas (The Maids of Honour, 1656). In this casual scene, the artist is shown painting the king and queen in the presence of the infanta Margarita and her attendants; the nearly life size figures are painted in more or less detail according to their relation to the central figure of the infanta and to the source of light, creating a remarkable illusion of reality never surpassed by Velazquez or any other artist of his age. He is universally acknowledged as one of the giants of Western art.
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