Anders Zorn
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Anders Zorn's Oil Paintings
Anders Zorn Museum
February 18, 1860 – August 22, 1920.
Anders Zorn

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Here are all the paintings of Julius Schnorr von Carolsfeld 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
80290 Clara Bianca von Quandt Julius Schnorr von Carolsfeld Clara Bianca von Quandt 1820(1820) Medium Oil on panel cyf
70542 Die Hochzeit zu Kana Julius Schnorr von Carolsfeld Die Hochzeit zu Kana Medium Oil on canvas Dimensions Deutsch: 138,5 ?? 208 cm
62558 Madonna and Child Julius Schnorr von Carolsfeld Madonna and Child 74 x 62 cm Wallraf-Richartz Museum, Cologne The experience of Italy was not only decisive for the majority of German landscape artists of the nineteenth century but also for figurative painting, secular as well as sacred. In 1818 Julius Schnorr von Carolsfeld moved to Rome from his home town of Leipzig. There he joined the Lukas-Bund (Guild of St Luke), an artists' group originally set up by Friedrich Overbeck and Franz Pforr in Vienna in opposition to the academy there. After Overbeck and Pforr had moved to Rome the Lukas-Bund exercised great influence (though Pforr died in 1812), and not only on the German artists in Rome. The members of the group, called the 'Nazarenes' after their long hair like Christ's, wanted to return to what they saw as the simple truth and piety of Derer and the early Italian Renaissance. They tried in their work to employ the forms, style and colour of the Old Masters. The composition and clear luminous colour of the Madonna and Child illustrates Schnorr's intensive, creative relationship with the Italian Renaissance. Artist: SCHNORR VON CAROLSFELD, Julius Title: Madonna and Child , painting Date: 1801-1850 German : religious
38586 Portrait of Clara Bianca von Quandt Julius Schnorr von Carolsfeld Portrait of Clara Bianca von Quandt mk138 1820 Oil on wood 37x26cm
22797 Portrait of Clata Bianca von Quandt (mk22) Julius Schnorr von Carolsfeld Portrait of Clata Bianca von Quandt (mk22) c 1820 Oil on wood panel,37 x 26 cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
87040 Ruth in Boazs Field Julius Schnorr von Carolsfeld Ruth in Boazs Field 1828(1828) Medium Oil on canvas Dimensions 59 x 70 cm (23.2 x 27.6 in) cyf
93125 Siegfried's Departure from Kriemhild Julius Schnorr von Carolsfeld Siegfried's Departure from Kriemhild ca. 1843, oil on canvas, 87,5 x 85,5 cm, cjr
38786 Study of Larkspur Julius Schnorr von Carolsfeld Study of Larkspur mk141 ca.1816/26 Watercolor and pencil on paper 20x12.5cm
43995 The Family of St John the Baptist Visiting the Family of Christ Julius Schnorr von Carolsfeld The Family of St John the Baptist Visiting the Family of Christ 1817 Oil on canvas 123 x 102,5 cm
62456 The View of the Archpriest in Julius Schnorr von Carolsfeld The View of the Archpriest in 230 x 305 mm Albertinum, Dresden Schnorr was considered the best draughtsman of the Brotherhood of St. Luke. Like no other artist, he knew how to exploit the potential of the sepia technique. He drew in pen over pencil before applying wash with a brush. His works are characterized by dark and illuminated sections, dynamic sketching within the contours of objects and gently curving contours of line, as in this picture. Author: SCHNORR VON CAROLSFELD, Julius Title: The View of the Archpriest in Olevano Form: graphics , 1801-1850 , German , landscape
43996 The Wedding Feast at Cana Julius Schnorr von Carolsfeld The Wedding Feast at Cana 1819 Oil on canvas, 140 x 210 cm

Julius Schnorr von Carolsfeld
1794-1872 Painter and draughtsman, brother of Ludwig Ferdinand Schnorr von Carolsfeld. He was taught engraving by his father and then trained under Heinrich Feger at the Akademie in Vienna (1811-15). Though not particularly excited by the curriculum, he was inspired by his friendship with Ferdinand Olivier and Joseph Anton Koch and the circle around A. W. Schlegel to an interest in both landscape sketching and in old German and Netherlandish art, as reflected in the style of the detailed pen drawing of the Prodigal Son (1816; Dresden, Kupferstichkab.). From 1815 to 1818 he lived in the house of Ferdinand Olivier, whose step-daughter, Marie Heller, he later married. A painting of 1817, St Roch Distributing Alms
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