Anders Zorn
A Sweden Museum


Anders Zorn's Oil Paintings
Anders Zorn Museum
February 18, 1860 – August 22, 1920.
Anders Zorn

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110,680 paintings total

  

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Here are all the paintings of HEYDEN, Jan van der 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
29243 A Fortified Castle on a Riverbank HEYDEN, Jan van der A Fortified Castle on a Riverbank mk65 Oil on panel 18x25 1/2"
44412 Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk HEYDEN, Jan van der Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk 1667 Oil on canvas, 85 x 92 cm
7476 Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk s HEYDEN, Jan van der Amsterdam, Dam Square with the Town Hall and the Nieuwe Kerk s 1667 Oil on canvas, 85 x 92 cm Galleria degli Uffizi, Florence
43531 Approach to the Town of Veere HEYDEN, Jan van der Approach to the Town of Veere 1651-1700 c. 1665 Oil on panel, 45,7 x 55,9 cm
7478 Approach to the Town of Veere af HEYDEN, Jan van der Approach to the Town of Veere af c. 1665 Oil on panel, 45,7 x 55,9 cm Royal Collection, London
32346 Dam Square, Amsterdam HEYDEN, Jan van der Dam Square, Amsterdam c. 1668 Oil on canvas
32353 proach to the Town of Veere HEYDEN, Jan van der proach to the Town of Veere c. 1665 Oil on panel, 45,7 x 55,9 cm
32351 Still-life with Rarities HEYDEN, Jan van der Still-life with Rarities 1712 Oil on canvas, 74 x 63,5 cm
32347 The Martelaarsgracht in Amsterdam HEYDEN, Jan van der The Martelaarsgracht in Amsterdam c. 1670 Oil on wood, 44 x 57,5 cm
63078 The New Town Hall in Amsterdam after HEYDEN, Jan van der The New Town Hall in Amsterdam after 1652 Oil on canvas, 73 x 86 cm Musee du Louvre, Paris This is the second version of the same subject that he completed shortly after the first painting. (The first is in the Galleria degli Uffizi, Florence.) Here the viewpoint is somewhat further to the right and the perspective is different; the foreshortening of the Town Hall's fa?ade is less pronounced, and the lantern's distortion - too strong in the first version - has been corrected. Artist: HEYDEN, Jan van der Painting Title: The New Town Hall in Amsterdam , 1651-1700 Painting Style: Dutch , , landscape
7477 The New Town Hall in Amsterdam sf HEYDEN, Jan van der The New Town Hall in Amsterdam sf after 1652 Oil on canvas, 73 x 86 cm Mus??e du Louvre, Paris
51030 View of a Bridge HEYDEN, Jan van der View of a Bridge Oil on panel, 24 x 31 cm
7479 View of a Bridge sg HEYDEN, Jan van der View of a Bridge sg Oil on panel, 24 x 31 cm Koninklijk Museum voor Schone Kunsten, Antwerp
43532 View of Delft HEYDEN, Jan van der View of Delft 1651-1700 Oil on wood 55 x 71 cm Institute of Arts,
7480 View of Delft sg HEYDEN, Jan van der View of Delft sg Oil on wood, 55 x 71 cm Institute of Arts, Detroit
32354 View of the Herengracht, Amsterdam HEYDEN, Jan van der View of the Herengracht, Amsterdam c. 1670 Oil on canvas
7481 View of the Herengracht, Amsterdam sf HEYDEN, Jan van der View of the Herengracht, Amsterdam sf c. 1670 Oil on canvas Private collection
32355 View of the Westerkerk, Amsterdam HEYDEN, Jan van der View of the Westerkerk, Amsterdam c. 1660 Oil on oak, 91 x 114 cm
32356 View of the Westerkerk, Amsterdam HEYDEN, Jan van der View of the Westerkerk, Amsterdam 1670s Oil on panel, 41 x 59 cm
7483 View of the Westerkerk, Amsterdam  sf HEYDEN, Jan van der View of the Westerkerk, Amsterdam sf 1670s Oil on panel, 41 x 59 cm Wallace Collection, London
7482 View of the Westerkerk, Amsterdam f HEYDEN, Jan van der View of the Westerkerk, Amsterdam f c. 1660 Oil on oak, 91 x 114 cm National Gallery, London

HEYDEN, Jan van der
Dutch Baroque Era Painter, 1637-1712 Dutch painter, draughtsman, printmaker and inventor. In 1650 he moved to Amsterdam with his family; his father, a Mennonite, who had pursued various occupations rather unsuccessfully, died that year. Jan's artistic training may have begun with drawing lessons in the studio of a relative, perhaps his eldest brother, Goris van der Heyden, who made and sold mirrors; Jan may also have studied the reverse technique of glass painting with an artist in Gorinchem. Painting occupied relatively little of his time, however, although he continued to pursue it throughout his long life. His prosperity was mainly due to his work as an inventor, engineer and municipal official. He designed and implemented a comprehensive street-lighting scheme for Amsterdam, which lasted from 1669 until 1840 and was adopted as a model by many other towns in the Netherlands and abroad. In 1672,
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