Anders Zorn
A Sweden Museum


Anders Zorn's Oil Paintings
Anders Zorn Museum
February 18, 1860 – August 22, 1920.
Anders Zorn

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110,680 paintings total

  

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Here are all the paintings of GOLTZIUS, Hendrick 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
6936 Dirck Volkertsz Coornhert sdg GOLTZIUS, Hendrick Dirck Volkertsz Coornhert sdg c. 1590 Engraving Rijksmuseum, Amsterdam
6938 Hercules and Cacus dg GOLTZIUS, Hendrick Hercules and Cacus dg 1613 Oil on panel, 207 x 142,5 cm Frans Halsmuseum, Haarlem
6941 Lot and his Daughters dh GOLTZIUS, Hendrick Lot and his Daughters dh 1616 Oil on canvas, 140 x 204 cm Rijksmuseum, Amsterdam
6939 Mercury dg GOLTZIUS, Hendrick Mercury dg 1611 Oil on panel, 214 x 120 cm Frans Halsmuseum, Haarlem
6940 Minerva sg GOLTZIUS, Hendrick Minerva sg 1611 Oil on panel, 214 x 120 cm Frans Halsmuseum, Haarlem
6937 Portrait of Sculptor Giambologna dg GOLTZIUS, Hendrick Portrait of Sculptor Giambologna dg 1591 Chalk, 370 x 300 mm Teylers Museum, Haarlem
6943 Self-Portrait dg GOLTZIUS, Hendrick Self-Portrait dg 1592-94 Drawing Graphische Sammlung Albertina, Vienna
6942 The Rich Kitchen dfg GOLTZIUS, Hendrick The Rich Kitchen dfg 1603 Ink, pen on paper, 20 x 33 cm Prentenkabinet, Rijksuniversiteit, Leiden
6935 Without Ceres and Bacchus, Venus would Freeze xdg GOLTZIUS, Hendrick Without Ceres and Bacchus, Venus would Freeze xdg 1599-1602 Mixed media on canvas Philadelphia Museum of Art, Philadelphia

GOLTZIUS, Hendrick
Dutch Baroque Era Painter and Engraver, 1558-1617 Dutch draughtsman, printmaker, print publisher and painter. He was an important artist of the transitional period between the late 16th century and the early 17th, when the conception of art in the northern Netherlands was gradually changing. Goltzius was initially an exponent of Mannerism, with its strong idealization of subject and form. Together with the other two well-known Dutch Mannerists, Karel van Mander I and Cornelis Cornelisz. van Haarlem, he introduced the complex compositional schemes and exaggeratedly contorted figures of Bartholom?us Spranger to the northern Netherlands. These three artists are also supposed to have established an academy in Haarlem in the mid-1580s, but virtually nothing is known about this project. In 1590 Goltzius travelled to Italy, thereafter abandoning Spranger as a model and developing a late Renaissance style based on a broadly academic and classicizing approach. Later still, his art reflected the growing interest in naturalism that emerged in the northern Netherlands from c. 1600.
Anders Zorn
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